Tuesday, June 29, 2010

Christmas in July, Channukah in December

Things I'm doing in July:
--Moma's
--California goes to Seattle; California goes to Portland
--Japan comes to California

Mixed in all that, maybe some tattoos, some grandma visiting, some Papou breakfast, yard sale, photographs, music playing, painting reading movie-watching, maybe some running and some biking and some river-swimming, and some hothotheat and tan skin and walking with Pancho, some barn parties and some concerts, and plenty of exploring and friendmaking and learning, lots of learning.

Juniper Tree Burning is the best book I have ever read. I want to write like Goldberry Long someday, she's the greatest writing inspiration I've ever had. The way she writes that book-- I read the first paragraph and said, "This is how I've been trying to write for years, this is how I want to write." It's beautiful beautiful.

This is all I really have to say. I love the Valley. I love love love the Valley. I can't wait to live here permanently again. I can't wait.

Sunday, June 20, 2010

Coolest Dad Ever? Uh, yeah, I think so.

So, it's Father's Day (on top of Bald Eagle Day, Ice Cream Soda Day, National Juggling Day, Plain Yogurt Day, and Krazy Kat's birthday).

Here's us at City Skates back in the day. I used to slide down the quarter pipe and scoot down the ramp into the snowboard shop. Maybe this isn't really at City Skates, but I don't remember. City Skates was cool. So is my dad. :P



We go to the fair and look at goats, and sometimes we pick a ride or two to go on. It's fun.


But usually we just like to hang out outside.



He's pretty silly.



But then sometimes he gets serious.



And sometimes he gets SERIOUS.


But mostly just serious. :)


Oh, and this is Choppy. He's pretty damn cool himself.

Sunday, June 13, 2010

Personal Thr3e

I've been thinking about the number three a lot recently. Bad things come in threes. Three for five dollars. Country music is nothing but three chords and the truth.

I've been picking out the threes in my life a lot recently too. Don't really know why, but I don't really have to, do I? It's just a passing thought.

The first thing that made me think in threes was the trio. The nuclear family revolves around a mother, a father, and one or two children. Being an only child, I thought of this as a triple. Nobody where I look, it's three. Living in my house: Aaron, Pops, and I. I could think of it as Aaron, Aubrie, and I. In Tahoe, it's Mom, Mike, and I.

My team is composed of two Buddas and a Pancho.



In my life, there are three families. There are always more-- ALWAYS more-- but for the sake of this blog, I am narrowing it down to three. Family is what I have and where I learn my greatest lessons. The Lindsey's taught me how to fall, how to fight, and how to put raked up leaves in the compost. The family taught me how to turn the compost over and over with a pitchfork, until it is steaming and teeming with bugs. And the Family taught me to always add to the compost and, when it is rotted to stinking perfection, to use it to grow a garden.

I've been thinking about it, and I know that The Valley is my home. When I'm in Riverside, I am always listening to music. Scratch that. I am always listening to music. But when I'm at school, I especially listen to the people that I am close to. To have their words and their souls pouring into my ears, my brain, my soul, it makes life away from Home easier. In one song, Willy Tea sings, "I know you're gonna stay here, there's too much you're going to miss, but babe I'm gonna die fast if I live here like this." I think that, no matter what happens while I'm at school, I can never stay far from The Valley. Maybe I could live in San Francisco, but I doubt it. I'm not a city person. It makes me sick. Bitter. It makes my heart as bitter as the creatures' (from Stephen Cranes' "In The Desert"). When I'm in the Valley, I'm free. I can feel it in the air I breathe, the oxygen coursing through my blood. When I'm with the orchards and the rivers and with the Valley people, life makes sense to me. There's no definition. It just is. It's slow here. City life is too rushed, a constant go gO GO! and it drives me crazy. No, the Valley is definitely the place for me. The weather, the water, the wild parties and the good people. This is where I belong.

Just as three families have shaped me, three women taught me how to sing: Loretta Lynn, Neko Case, and Bethany Joseph Taylor. I used to be a horrendous singer, probably even tone deaf. I've always wanted to be a singer. In elementary school, choir was my first choice (followed by orchestra and then band-- of course I played percussion in the band). I've never been in choir or taken voice lessons. I've never been a good singer, but I know I am now. Somewhere, somehow, I managed to hit notes. The first note I ever hit was to "Don't Talk (Put Your Head on my Shoulder)" by the Beach Boys on my home from Lake Tahoe one year-- it was one of those high impossible notes, and the only reason I know I hit it was because Aaron turned to me and went, "Whoa, Budda, you hit that note!" The Beach Boys didn't teach me how to sing though. Loretta Lynn and Neko Case have always been two of my favourite musicians. Both of them are beautiful women with singing voices that give me the shivers. When I met Bethany, I thought the same of her. I've always tried to sing like Loretta and Neko, or at least be able to sing their songs, but I've never been able to do it.

Practice, practice, practice, that's all I did. I sang everywhere-- in the shower, doing the dishes, in the car, cleaning my bedroom, walking down the street and around the house and at school. EVERYWHERE, I was singing, practicing. I don't know when I officially "learned" how to sing, but I think it was around the time when The Good Luck Thrift Store Outfit started recording Ghost of Good Manners. Bethany is the first woman that ever gave me shivers to music, which is a weird thought, considering how long music has been a part of my life. I think I really started appreciating it when Aaron joined GLTSO. That's my Family, right there. But anyway, I started singing along to that album, starting playing guitar too (that's actually the first song I learned how to play by ear too), and eventually I could sing it and I could sing it well. I kept singing along to everything, and now I can sing. Of course it's not perfect. I still have a hard time hitting notes, my voice still gets wavery. I get nervous, and I still have to seek out the notes with my voice, think about my range and pitch, but I'm getting better all the time. When I can finally sing in front of people without feeling TOO nervous, I think I can officially start calling myself a singer. That's one of my goals for the summer-- sing in front of people. Get rid of my fear, get over myself. An inflated ego is what kills the talent-- I'm not going to get one, I promise to myself, I never will. I'm going to cherish this forever.







So, yes, these are thoughts on my mind recently. I know I put a lot of emphasis on threes, but these are just SOME that I have been thinking about.

Friend trios are good, but one person hanging out with a couple never works-- third wheel status. You usually get three lives in video games. Pancho only has three nails on his front left paw.

There are always three panels in A Softer World comics:



Here's three things I believe in:


Finally, three words that mean the world to me:

Sunday, June 6, 2010

Peace, Riverside

It's been a good year. Great friends have been made, awesome adventures have been had, lessons have been learned. It's not the ideal location, but everyone I have met here has definitely made this a fantastic first year.

I'm all packed, except for my laptop and a couple things I can just throw into my backpack.

I'll be Home. Tonight.

So, I guess this is my last post from my dorm room. Thank God, I will not have to live here next year. Chanel, Falkirk. Jackie, dorms. Juxtaposed, I would take that crappy room in Falkirk with Chanel any day, everyday, if I had to.

Summer's here. Time to go, go, go.

I'm already looking forward to next year though. And to think I was going to transfer at the beginning of the year.

PEACE, RIVERSIDE.

Wednesday, June 2, 2010

Another Schedule

Seriously, whenever I get used to a schedule, I get a new one. It's alright, though. I'm not a big fan of routine. I like the quarter system, even though everything is so fast paced. I retain the information that I'm interested in, the rest is short term. It doesn't really allow for "bonding" time either, which sucks, but you have to deal.

Anyway, this is what my schedule looks like for Fall 2010.

1. Introduction to Asian Religions (and discussion)
2. The Natural History of Insects (and demonstration)
3. Environmental Economics (and discussion)
4. World History: 1500-1900 (and discussion)

My Mondays are BOOKED. I've got four classes back-to-back from 8-12, an hour break, class from 1-2, and then another class from 4-5. The rest of the week is pretty balanced: one class Tuesday, three Wednesday, two Thursday, and three Friday. Finals week is going to suck-- finals on Wednesday, Thursday, and two on Friday (the last day).

I was pretty pissed off because only one Creative Writing class was offered this quarter and it was full a week ago. This quarter is dedicated to fulfilling breadth requirements, and working on that Religious Studies minor (or testing it out, anyway). I learned about the Middle Eastern and Islamic Studies Minor today-- if I were able to use all three of my classes from the CHASS F1rst program, I would only need three more classes to get the minor. I don't know exactly what I would do with it, but I'm going to email the department later and find out more information. It's going to be a tough quarter.

But, the good news is, I only have two more days of class until my first year of college is over. That's CRAZY. Looking back, it hasn't felt like that long at all, but I know that I've felt like it dragged on forever while I was in the heat of it. I'm not a fan of the concept of time. I wish we could all just kick it and play music and make art and I wouldn't have to worry about what time the clock says it is or that the government tells me to be a model citizen or that you can't get a good job without a college degree. I don't want to have to worry about what I'm going to do for the rest of my life. Sometimes, I wish it was those times when you're born into something and you're expected to follow in your family's footsteps. Say, like, Aaron's a bard and my mom's a painter. There you go! I'd learn the trade and life would go on.

I guess Creative Writing is a trade. It's unconventional, really, maybe even stupid, but I love it. I can only imagine how different my life would be if I had to gone to UCLA for architecture or San Luis for civil engineering. I don't even know how I was considering those options-- I'm a mathtard, I never would have survived. My GPA would have been shot to hell from the start. I still love architecture and interior design, and I wouldn't mind doing some of that work sometime, but as a profession, I think I would have hated my life. Maybe not as an interior designer, but everyone does interior design, and I'm not sure I could satisfy customers with my ideas. Especially those fancy people that like everything to be neutral and uniform. Please don't hire me.

Anyway, I'm rambling. I really just wanted to post this schedule and say

TWO MORE DAYS! SUMMER, HERE I COME!

Saturday, May 29, 2010

Eyes Like El Dorado : Flash Fiction Revision

*This is the revision for "Avery's First Memory." It's a completely new story, and I don't like it. I like writing philosophy and metaphysics into my stories, but they're more conceptual when I do, and not usually the kind of stories that people want to read. And so I intentionally make them simple and realistic, so people will like them. I'm not very good at making real ideas real writing, I guess. I need to work on that. But I hate when I lose passion for a story. I didn't for this one, but for 'Love Me Tender' I have lost all motivation. I have to finish it, and it has to be good, but I'm just not happy with it at all and I wish I'd never written it.

Anyway, here is my final draft my flash fiction piece.

Eyes Like El Dorado

“Piece o’ shit valley,” Amos Adams grumbled, surveying the scene before him. Beyond the golden foothills lay the putrid swamp of smog, a mixture of dust and manure from farmers’ plows and methane from bloated, festering cow carcasses. He was walking into a bear trap set by the Big Guy himself—that omnipotent hotshot, that universal fucking faggot. He was crawling into an old, dirty vagina and he’d be damned to hell if he pulled out with syphilis.

“God, Shirley better not be there,” Amos cursed. If it weren’t for Corinne and the new baby, he wouldn’t have to chance the encounter with his ex-wife.

Glancing in his rearview mirror for approaching traffic, Amos’s eyes lingered on the dense forest in the distance. He hated leaving the cool, protective embrace of the El Dorado. Her breath on his neck during their daily, passionate affairs left him smelling of pine and moss; her boysenberry kisses always overpowered the moonshine on his breath. He carried her wherever he went—her intoxicating pine aroma
perfumed his wiry beard and clung to the fibers of his long johns.

Amos took one last glimpse as the forest disappeared over the ridge. Five
minutes and he already pined for his earth mistress. He was leaving her behind—and for what? So Shirley could glower at him?; so she could bitch and moan about how he wasn’t helping Corinne and Dan pay off their mortgage, about how his beard was too long and his flannel needed patching and bla bla bla bla bla. They’d divorced for a reason and he didn’t need the sow telling him how to live his life again. He’d never even hit her, and he’d raised Corinne up to be a right proper lady, unlike her hell-cat mother.

Corinne—now there was the golden reason that brought him down from the mountain. His baby girl Corinne was married and settled down, and now she was rocking a babe on her knee. Her son Avery had the same soft copper eyes as Corinne, eyes that reminded Amos of sequoias and red clay. It was when Avery had first opened his eyes and stared up at Amos that Amos knew he’d be doing a lot more driving than he intended. No distance could separate the woodsman from his grandson.

Avery would need a man in his life. There was his father, Dan, of course, and Amos loved Dan like his own son—Dan never questioned Amos’s motives and he was always an eager hop-skip-and-a-jump from offering a helping hand—but Dan was a junior high mathematics teacher. What Avery needed was a real man, a working man, a man that could teach him how to fish and hike and hunt. Often, Amos dreamed of their first hunting trip together, pap and grandson, two men traipsing through the woods. They’d start small—ducks, maybe, or turkey—and then move on to bigger game—deer and elk and bear. Hell, it wouldn’t matter if they didn’t bag one good kill, so long as they had the pleasure of one another’s company.

And, speaking of hunting, he still had to figure out what provisions he needed for his winter trip. It was almost dear season and Amos planned on nailing a couple of young bucks to last him through the winter. He knew he needed a couple cases of buckshot, so he’d just run by the Bait and Tackle shop on his way back and stop up. There was something else—lantern propane or a couple new pairs of thermal underwear—but he couldn’t quite put his thumb on it and he didn’t want to buy it if he didn’t need it. Amos sighed. He’d have to make two trips.

Spotting a Chevron sign ahead, Amos flicked his blinker on and eased into the right lane and off the freeway. Amos had promised Corinne he’d call when he was close, and the Chevron had a pay-phone. Rummaging through his pockets for spare change, he extracted a quarter, two
dimes and a nickel. The coins clinked into the holding compartment like hail on a tin roof. After
dialing Corinne’s telephone number, Amos hunched his shoulders and drew his head close to his
body, creating a barrier between himself and any prying ears around him. He liked his phone calls to be private. After two rings, Corinne picked up.

“Hello?”

“Your mother’s not gonna be there, is she?”

“Dan wants to know if you can pick up some ice from the grocer’s.”

“Ten pounder?”

“Why are you always so hostile when Momma’s here?”

“I just like having my space, ‘sall. Forty years she’s nagged me and we ain’t been married for thirty! That woman gives me a bellyache.”

Amos heard Corinne sigh on the other end of the receiver. “Avery’s waiting for you, Daddy.”

Amos shifted his shoulders. “I’ll be there in half an hour, with the ice.”

“And—Daddy—don’t worry. Momma’s not going to be here. We’ll see you soon.”

Amos hung up the heavy black receiver and heard his coins clang into the payphone’s starving belly. With one hand, he ran his fingers through his shaggy gray curls. Amos sighed. With the other hand, he reached into his pants pocket and extracted his hand carved wooden pipe. It was already packed with tobacco. He struck a match, lit the pipe weed, and took a few puffs.

Amos thought it best to hurry along if he were going to make his thirty minute deadline. He snuffed the burning tobacco and slipped the pipe back into his pocket as he ambled to his truck. He still had to pick up the ice. Ten pounds. Besides, Avery was waiting for him.

“As he pulled out of the Chevron parking lot, Amos banged his first against the roof of truck, exclaiming, “Thank God! Shirley is not going to be there!”

Friday, May 28, 2010

Searching west and east, and all points in between.

ATTENTION CHANEL: HERE, I AM GOING TO TALK ABOUT LOST, NOT IN GREAT DETAIL, BUT I AM STILL GOING TO DO IT. IF YOU WANT TO, SKIP TO THE PART AFTER THE ALL CAPITALS ENDING NOTE. THERE, IT WILL BE SAFE TO READ.

"The best we can do is live our lives with enlightened improvisation — to be so self-aware and fearless that we can live fully in the present and redeem our every moment and every human connection."

I took this quote from this a good article I read after LOST ended, which you can read here: http://www.ew.com/ew/article/0,,20313460_20387946,00.html

Just in case the link doesn't show, copy/paste it:
(http://www.ew.com/ew/article/0,,20313460_20387946,00.html)

It's pretty silly at points, especially the author's sarcasm (sort of like Sawyer) but it did make me understand and accept the ending of LOST. Now that I know the ending, I feel as though I need to go back and watch the entire series again so I can pick up on all the hints that they were dropping. It all makes sense. Mom, you were right. They were dead the whole time and they were just trying to reconcile it. Hurley made it possible for us to see everything that was happening to them, both on the island and in the sideways reality. In an ACTION mindset, I wish the ending had been more epic-- you know, Desmond and Jack team up like "brothers" and find a way to demolish smokey and atone for the real John Locke's death. I could picture Desmond saying to the smoke monster, "See you in another life, brotha" before, I don't know, sucking him into a magic lamp like a genie or something (obviously not that, but something more than Locke being rendered mortal and Jack hurling him off a cliff). Thinking about it, though, I'm glad it ended as it did. It's more philosophical. It gives LOST fans more room to think about the possibilities outside of LOST as well.

I don't remember-- was Richard Alpert in the church at the end? And what was with Ben staying outside by himself-- does that mean that Ben is choosing to remain in purgatory, to reflect on his living actions and think about what he could have done differently? He had the invite, yet he chose to stay?

"...when you fight true evil with necessary evil, it's still evil. And evil has a cost."

I don't think Ben was evil. He was misguided, but he had a heart and a soul, and he loved. He just outwardly showed his love for himself over his love for others, and his cost was staying outside while all the LOST bros were partying in Heaven or in the electromagnetic glow or whatever it was. By the way, did you see the stained glass window in the church when Christian was talking to Jack? It was broken into six segments, with six different religious/spiritual symbols. I thought that was really good in showing that people from all walks of life-- all faiths, all cultures, all personalities-- can come together in a community and build a family. It's true, and I'm glad that they were able to put that message in there.

CHANEL!!! IT IS SAFE TO READ AGAIN!

It's well past my birthday, so I guess I can return to last week and write about it. My birthday was alright. Dios played the Barn and Joel dedicated the show to me, which was really sweet. My friends came out and I think they were all really into Dios, or at least they said they were. I'm always really proud of my friends in bands that I know, be it people I'm close to like Dios or Grandaddy or Good Luck Thrift Store Outfit, or people that are friends but that I only see a few times a year-- Silversun Pickups, Bright Eyes, Earlimart. People all over the world LOVE them, and I love them in the same way and in a completely different way, so I really love when I find out that people dig the music that my friends make. I can never quite wrap my finger around the fact that people don't really know what life like this is like-- living with "rock stars" and being friends with people who are famous, I guess, that travel all over the world. It's what I'm used to-- it's the life that I know. I still get a little bit confused when people don't know those situations though. I mean, I shouldn't, I know that it's not really NORMAL, but it's normal to me. I don't know when it's okay to talk about that part of my life to people-- I usually wait until I've established a friendship with someone, or at least until we are well-acquainted. It's hard to judge those situations sometimes, though. I don't know. It's just a thought that I have sometimes. Actually, only with one of my friends when I told them that my dad was a musician did he say, "Oh, that's really cool! I'd love to be in the music industry..." (That was HORRIBLE grammar!) It was surprising and almost relieving. But I guess it's natural for people to be curious-- I'm always curious about others' backgrounds as well. I'd like to know where someone comes from and what they're used to and the environments that they live in. People are always changing according to their surroundings, and I love observing that.

After my birthday, things have been a little weird, but I won't explain it. David Sedaris told me, "Know when it's okay to share something and when it's not." I just miss home a lot; I think we all do. The pressure's on, you know. We have to kick ass on our finals, we have to pack, we have to make moving arrangements, we have to prepare for a transition back into the lives that we once knew only to find that everything has changed. I mean, it's not going to be WEIRD, for me at least, I don't think, but there is always potential for it to be. I've been locking myself in my room a lot, being solitary and trying to finish all my projects so I can head home a week early! Things are going good so far. I've got two stories to revise, and I'm ALMOST done with one. Hopefully I can spill out this last one or I'm stuck here until after Wednesday, June 9th, instead of heading home on the 6th. So, that's what my weekend is going to be like-- again. Everyone's going home or going camping or hanging out with their other friends, and I'm going to lock myself in my room and attempt to write a short story that I don't really feel passionate about anymore. But that's what my life is going to be like, and it fits me, I guess. Writing, revision, writing, revision. I try not to focus on the past too much anymore. It's been happening too much recently, but it's really affecting my present state of mind. I need to make some resolutions. For revolution. For bandana summer. I need to figure out how much money I can set aside for tattoos this summer. And-- yes-- I am getting more and I am going to love them for the rest of my life.

Just to throw in another interesting article, I found this one: "A Link Between Creativity and Mental Illness is Very Strong"

http://health-psychology.suite101.com/pages/article.cfm/a-marriage-of-creativity-and-mental-illness-is-very-strong

(http://health-psychology.suite101.com/pages/article.cfm/a-marriage-of-creativity-and-mental-illness-is-very-strong)

I found this section of the article to be very interesting. Now, before you worry, I do not think that there is anything WRONG with me. I stumbled upon this article (courtesy of stumbleupon.com) and thought it worthy of noting in this blog entry. Even if I did have some strange mental disorder, who cares? I've been fighting this long, and I might as well keep doing it. I love breathing and looking at things. I love the beating of a hummingbird's wings in my ear, even when I cannot see the ruby-throat. I attribute my creativity (and maturity?) to the way I was raised. I think that kids with artistic parents are always a little weirder than kids without, and there's nothing wrong with that. Actually, what I want to know is where kids with non-creative parents get their creativity, where they find inspiration at such a young age to let themselves loose on paper or canvas or with musical instruments.

"Is There a Difference Between Male and Female Populations Who are Creative and Mentally Ill?
According to the Diagnostic and Statistical Manual (DSM), this study revealed that writers had significantly higher lifetime prevalence rates than controls (those without mental illnesses) for all mood disorders (80% versus 30%), for bipolar disorder (43% versus 10%), and for alcoholism (30% versus 7%).

The results of a recent study suggested that female writers were more likely than members of the comparison group (females without mental illness) to suffer not only from mood disorders but from drug abuse, panic attacks, general anxiety, and eating disorders as well. Even more interesting, according to another study, female poets were found to be significantly more likely to suffer from mental illness than female fiction writers or male writers of any type."

In other news, I've been thinking about why I hate dolphins so much. The answer is: I don't really know. There's just something eerie, something DANGEROUS about dolphins. I know they're intelligent, and I respect that, I don't want any harm to befall dolphins. I was terribly upset when the Yangtze Porpoise of China went extinct (it was reported in The Week last year). Don't get me wrong, dolphins are awesome! They can recognize themselves. I appreciate dolphins. I just have no real connection to them and I do not desire one. All of my fears about dolphins are ridiculous-- dolphins aren't really going to rise to land upon their fins and take over the world, dolphins don't USUALLY attack surfers and attempt to drag them down (they're just playing anyway, I think). My friends always get pretty upset with my for disliking dolphins. But, just look at this picture:



Isn't that the face of evil? Probably not. It's a joke. But still. I don't know why I dislike dolphins. I shouldn't, and I'll work on it. Maybe I just need to come to understand dolphins more. Maybe I need to do some dolphin research in order to fully appreciate them.

The same goes for raccoons and rattlesnakes. Actually, scratch rattlesnakes. I don't think I'll ever be able to like them.

But something I do like, something I like VERY much, are elephants. I'm not going to go into detail about it, but look at this picture:



Isn't that beautiful? It came from about a man and his elephant comrade, which I suggest you read: http://www.dailymail.co.uk/news/worldnews/article-1280638/Making-splash-60-year-old-elephant-going-morning-swim.html?ito=feeds-newsxml

(http://www.dailymail.co.uk/news/worldnews/article-1280638/Making-splash-60-year-old-elephant-going-morning-swim.html?ito=feeds-newsxml)

In the news this week as well, the first Muslim American woman was crowned Miss USA, and Professor Aslan talks about the myths and misconceptions that people have about women in Islam, points that we have been discussing in my Gender and Islamic Societies class with Professor Hafez. You can read the article here:

(http://www.chron.com/disp/story.mpl/life/main/7025683.html)

However, Reza Aslan sums up the dilemma of this situation (as well as a major emphasis of the course that I am taking now), with this statement:

“There has been this notion of Muslim women as a sexualized object,” Aslan said. “The idea of the harem and the veil as providing some forbidden sexuality has become totally fetishized in the Western world. And it's a completely false notion, of course. The veil is neither a symbol of oppression nor a symbol of sexuality. It is whatever a Muslim woman wearing the veil says it is.”

Having been in the Islam sequence for a full year, I appreciate Islam a lot more than I once did. I have learned much more, and am not afraid to talk about it or defend it when others who have no real idea of what Islam is about attack the faith. I do not support fundamentalist terrorists who say that they do their "work" in the name of God, and as Dr. Muhamad Ali told us, neither do most Muslims. It is wrong to stereotype all Muslims as terrorists when it is only a small percentage who commit "acts of terror."

I'm rambling. What I really mean to say is this: I'm considering minoring in Religious Studies. I have been considering psychology, and while that would be interesting, I don't really see myself leaning toward that. I've always played with the idea of religion in my head, and I love to learn about the different religions and faiths of the world. I am drawn to it. Faith is a HUGE motivation for many people in the world, and I want to understand that. For now, it is just a consideration, but I am going to try to take a religious studies class next fall (it counts for my ethnic studies class as well as my English 1C class, and if I do minor in Religious Studies, it will count as a prerequisite for that).

This really has no connection, but look at these photographs of freerunners around the world. It's AWESOME! I would love to see someone freerunning in real life. If I were tall, skinny, agile, and athletic, I would definitely try freerunning.



(http://totallycoolpix.com/2010/02/freerunning/)

Tuesday, May 25, 2010

Things don't make a lot of sense right now.



Everything's been crazy. It's been too long so I guess you're deserving of an update. It's 11:16 p.m. and I've been working diligently for the past thirteen hours. I'm stressed. I'm tired. I'm PENSIVE.

And so that means I'm going to make this blog a fun one and give you the update tomorrow.

Here's some things I like, for now.











Sunday, May 16, 2010

Post Secret Sunday

"I have a story inside of me...
"but it feels too big to tell.
"The fear is crippling me,
"but not writing it is driving me insane."
-Anonymous




-Everything worth knowing leaves bruises.









Friday, May 14, 2010

REM: Losing my Religion

I had my critique for Love me Tender in my Creative Writing class today, and it went surprisingly well. No one bad mouthed anything this time, and nearly all of my classmates had the same concerns-- age, setting, time period, why Susanna gives her son the middle name Paul, and whether or not there should be a distinctive relationship between Paul and Susanna or Susanna and her father. I'm leaning toward Paul and Susanna, but that would involve bringing Paul back to Ford's Creek, or at least calling her on the telephone. I want the dad to be a part of it, too, but he needs to have less of a role if Paul is a bigger part of the story. At the same time, the story tracks Susanna as she grows through her pregnancy, and I almost feel that keeping with Susanna between months three and seven (when Paul is mentioned, she is five months along or so), so her father would play more of a role than Paul (and then Paul would be deleted from the story altogether except for the part where she gets pregnant). Anyway, I need your thoughts, Moma! And anyone else who read the story!

Mom, I know you're not good with critiques, but I need this.

For now, I'm putting the story aside-- at least for a few days until I have a grasp of what I'm going to do-- and then I'll commence work on it. I need to be done with my final revisions by June 3rd AT THE LATEST so I can pack up and get the hell out of here by June 6th. Hopefully it can happen, or else I'm stuck here another week.

This week, my friend Tony and I will be driving to Long Beach to attend a Sufi Prayer Circle. It's a field work project for my Islam class, and we have to develop a seven minute presentation and (both of us) have to write a four-page ethnography on our research. It should be really fun; it's the last project of year, and also the deciding factor for my grade. I have confidence that we will do well, though, and fun at the same time! I'll post more about it after the trip.

However, because the field trip is on Thursday, May 20th, I will not be able to attend the Master of Fiction at UCR reading that night, where my workshop leader Holly and my old TA Angela will be reading. I'm a little disappointed-- I was really looking forward to hearing some of my teachers' works. I respect both women very much, and I feel as though I'm letting them down by not attending such a great night for both of them. I'll have to drop by Angela's office hours this week and wish her luck and say hello-- it's been awhile.

I encountered a quote by Ray Bradbury today: "You must stay drunk on writing so that reality does not destroy you."

I love it. I feel like people in my class take writing too seriously. No, that's phrased wrong (and obviously I want to point out the problem, or else I would have simply erased it and reworded it). Writing should be taken seriously, especially when you want to pursue a career in it, as I and my classmates desire to. However, I feel as though my peers do not allow fantasy to mingle with reality, like they want everything to be black and white-- no gray area allowed. This shouldn't be how it is. If I say, "Avery floated down the stairs..." several people will write, "People can't float" even though I was clearly talking about him being in a dream-state/sleepwalking. That's just an example. Sure, dialogue needs to be believable in the story, it needs to flow naturally based on a character's character, but if I play around with words, then I shouldn't be penalized and criticized for it. Not just me, either, but any and every writer. I'm just saying...

Other great quotes on writing by writers:

-The most essential gift for a good writer is a built-in, shockproof shit detector. This is the writer's radar and all great writers have had it. ~Ernest Hemingway, interview in Paris Review, Spring 1958

-Find out the reason that commands you to write; see whether it has spread its roots into the very depth of your heart; confess to yourself you would have to die if you were forbidden to write. ~Rainer Maria Rilke

-Life can't ever really defeat a writer who is in love with writing, for life itself is a writer's lover until death - fascinating, cruel, lavish, warm, cold, treacherous, constant. ~Edna Ferber, A Kind of Magic, 1963

-One ought only to write when one leaves a piece of one's own flesh in the inkpot, each time one dips one's pen. ~Leo Tolstoy

-Writing is both mask and unveiling. ~E.B. White

-It is impossible to discourage the real writers - they don't give a damn what you say, they're going to write. ~Sinclair Lewis

-The maker of a sentence launches out into the infinite and builds a road into Chaos and old Night, and is followed by those who hear him with something of wild, creative delight. ~Ralph Waldo Emerson

-Ink on paper is as beautiful to me as flowers on the mountains; God composes, why shouldn't we? ~Terri Guillemets

-A writer and nothing else: a man alone in a room with the English language, trying to get human feelings right. ~John K. Hutchens, New York Herald Tribune, 10 September 1961

-Don't tell me the moon is shining; show me the glint of light on broken glass. ~Anton Chekhov

-Substitute "damn" every time you're inclined to write "very;" your editor will delete it and the writing will be just as it should be. ~Mark Twain

For more:




If the links don't work, text copies are provided below. :)

http://www.quotegarden.com/writing.html
http://www.fontayne.com/ink/quotewrite.html
http://thinkexist.com/quotations/writing/
http://www.logicalcreativity.com/jon/quotes.html

I remember in Mrs. Asgill's class, we had to write "This I Believe" reflections and we had the opportunity to submit them to NPR. Well, I'm going to do another one. I heard Anna talking about it-- I mean, Anna mentioned it in an email she sent me-- and I thought I should try my hand at it again, now that I've got more to say and better means to say it. I was checking out different story-telling websites-- NPR and Storycorps, when I happened upon this animated video of a real interview between a mother and her son, who has Asperger's Syndrome. If you have read The Curious Incident of the Dog in the Night Time, then Chris, the main character in that story, also has Asperger's; one of my close friends also grew up with it (and he's totally awesome and I'm so happy to be his friendy!). Anyway, the video is awful sweet and I teared up by the end of it.

Watch it here:

http://storycorps.org/animation/

I've also been doing online browsing of cool stuff for gifts and whatnot, and just for cool stuff to look at. I'm having the hardest time finding something to get my moma and my dad for their birthdays (which I feel bad about, but I'll get it before gift exchange! forgive me for not having it ready THE DAY OF your birthdays!) and I stumbled upon this awesome sleeping bag!

http://www.patchtogether.com/store/chumbuddy-192.html

If it didn't cost $200 and take up a lot of space, I would own this in an instant. I could also go for a pair of adult footy pyjamas this winter when it starts getting cold again-- I might invest. They better have dinosaur print available. I'd kill for some dinosaur footy pyjamas. I'll have to find some.

I'm also trying to get a line-up on Fall 2010 classes to take. My registration period is June 2nd, so I've begun to compile a tentative list, which I will leave out. I've been thinking about whether or not I should double major or get a minor-- I was thinking psychology, but the longer I'm in school and the more I think about it, the more I want to get into religious studies. Psychology would require a lot more time and effort, and I couldn't really do anything with a psychology minor and a creative writing major (not that I can do anything with a religious studies and a creative writing major). Anyway, I did some research, and I'd need less classes for a religious studies minor than I would a psych minor; that's not what I'm concerned with, though. I've already taken my entire Islam sequence and loved nearly every second of it-- Muhamad Ali, Reza Aslan, Sherine Hafez-- all of my teachers have been excellent, my TA Harold is THE BEST, and my peer mentor Lianna is seriously one of the sweetest girls I've met at UCR. I know that I would enjoy religious studies-- I'm already interested in it, and religion definitely plays a huge part in the world-- both the conflicts and the resolutions-- and I want to understand that. (<-- That period was definitely overdue.) So, I'm going to seriously consider a Religious Studies minor. I love psychology, but it's so much math and terms-- all I really care about is personality psychology, and that's just to help in my writing and my understanding of the people around me. I can always just take that class! (Nothing will be like Tribble's class anyway). But Religious Studies... I can definitely apply that. Too many people either extremely LOVE religion or extremely LOATHE it. I want to be able to understand it before I make up my mind. That's what I did with Islam, and now why not the other religions? So, yeah. That's the end of the religion spiel.

Before I go, I'd just like to say...

HAPPY BIRTHDAY, MOMA!!!!! You're the best! LOVE!

Monday, May 10, 2010

Love Me Tender (First Draft)

Here is the first draft of my short story for Creative Writing. It's a piece of crap. It's not the kind of story I usually write, I don't think, but I wrote it; I don't know if I like it or not, but, like I said, I wrote it, so I guess that means I'm supposed to dislike it. Anyway, you should read it and tell me how you feel about it.

"Love Me Tender"

One

I’m going to tell my boy his daddy was Elvis; just passing through, singing the blues.

She met him on a night out dancing. In Ford’s Creek, a small mill town in the foothills of California, complete with a waterwheel and covered bridge, Friday night barn dances were common entertainment for the hardworking community, an opportunity to wind down and have a little fun, and Susanna Ford, great-great-granddaughter of Elias Ford, the town’s founder, never missed one. It was a family environment—Ford’s Creek—where everyone knew everyone else and strangers were always welcome. The wooden slats below her bare feet creaked to the beat of the local bluegrass band as Susanna twirled below the white icicle Christmas lights strung across the ceiling.

With the combination of the warmth of the summer evening, escaped body heat, and the fading of the banjo’s resonation trapped between the barn’s walls, a sweltering Susanna twisted around to head to the bar for a jar of water. It was in the midst of this about face that she caught his eye, a blue-eyed boy in a flannel shirt and blue jeans, black hair framing his face, leaning against the counter and sipping on a whiskey tumbler. He didn’t look out of place amongst the extended family of Ford’s Creek, but his high-top black Converse betrayed his belonging. Susanna flipped the hair out of her eyes and onto her shoulder as she sidled to the bar, holding his gaze as she drew near. Seated on a bar stool facing the stage, water jar in hand, Susanna coyly ignored the boy, who had sauntered toward her and was now leaning nonchalantly against the bar counter. He faced her, resting on his elbow, ankles crossed, fixing his gaze on her so intently that she could not help but turn to greet him.

“I’m Paul,” he introduced. He extended his hand to grasp Susanna’s, holding it as though she were a fragile porcelain doll. There would be no shattered glass for eager dancing feet to step on in the barn that night, not if Paul could help it.

She nodded once, her small, slender hands still engulfed by his large ones, calloused fingertips stretching over her wrist. “Susanna,” she smiled, “It’s a pleasure, Paul.”

Her hands were clammy, a mixture of condensation from the water jar and perspiration from dancing in the stuffy room, yet Paul’s hand lingered. Susanna noticed the split-second glance he took at their clasped hands. “Your hands are so hot. You care to step outside?” he invited.

Susanna eased her half-empty water jar onto the counter and slid off of the barstool. With his free hand, Paul swung his personal bottle of Jack Daniels off the counter and began to snake his way through the dancing and chattering crowd toward the barn’s double doors, glancing back to send Susanna an appreciative smile.

Once outside, Paul produced a spun-glass hand-pipe from his pants pocket. He lit the bowl and took a deep hit, the weed glowing stronger like the flashing lights of a ambulance as he sucked the smoke into his lungs; the surrounding crickets’ song were his blaring sirens. He bobbed his head and closed his eyes before exhaling the smoke. “So, you’re a dancer?”

“It’s just a way to pass the time,” Susanna shrugged, although a bud of smile blossomed across her face. “How about you? What are you doing around here?”

Paul paused to take another hit of his Acapulco Gold. He chewed the words over in his mouth, saying them slow and deliberate. “Well, I’m taking the scenic route to San Francisco.” He was a cartographer mapping out a beautiful new land with his eyes, waiting to explore the wild frontier. His gaze lingered on the torn hem of her knee-length skirt. “Let’s take a walk,” he invited, motioning with a jerk of his head toward the dirt trail leading to the covered bridge. Susanna glanced once more at the barn doors, praying to God that no one would note her absence, and followed him.

Paul was a musician, a guitar player on a solo tour up the West Coast. He had happened
upon Ford’s Creek while on a drive to Yosemite, had been informed of the barn dance and invited to stay. In between exploration of the town’s surrounding hiking trails and dips in the river, Paul had been at the saloon all day. His drink of choice was whiskey, every time, although he enjoyed high quality tequila on special occasions. “Not just that cheap Jose Cuervo shit either.” He was near-sighted and had to wear his glasses day and night.

Susanna could not see the glaring, milky reflection of the moon on Paul’s glasses. Her eyes had not yet adjusted to the dark, but she could see a smile spread across his face, his teeth glowing white. He leaned into her, his hand brushing Susanna’s hand and thigh. Although she knew that inebriation clouded his judgment, her stomach flipped.

As they neared the covered bridge, the rush of the river beneath them was the rush of the blood pumping through Susanna’s veins. In the darkness, the bridge stretched to the rivers of Babylon; the opening at the other end of the tunnel was a mouse hole. Suddenly, Paul’s arms bound Susanna’s body to his, boa constrictors suffocating their prey, and he was pulling her deeper into the covered bridge and into his grasp. Her heart pounded. Her feet screamed for her to run. But Susanna’s body craved him. Paul’s intoxication lusted for her.

And Susanna succumbed.

Love me tender, love me true, all my dreams fulfilled…

Two

I’m going to tell my boy his daddy dreamed of model trains and heartbroken explorers
scaling small town barstools.


“Pregnant?” Susanna’s father’s sunburned face reddened in anger. “What do you mean pregnant?!”

“Jesus, Dad, what does it sound like!” Susanna shrieked in retaliation. Her hands bolted
upward to clutch her concrete head. The pressure to tell him had been rising for two months. She knew she would have to tell him before her baby bump began to show, but she had been frightened. Now that the truth had been revealed, her fear of her father’s reaction was solidified.

Her father clenched and unclenched his fists. Dirt was permanently embedded into his skin, the thick black lines like protruding veins. “It was that wandering boy, wasn’t it? That fucking filthy guitar player!” The way her father was holding himself—head down, shoulders hunched forward, back arched—was like a dragon atop a horde of treasure, only the treasure clutched in his claws was the anger swelling in his chest and the blind rage burning behind his eyes.

Images of Paul swam through Susanna’s head. Blue eyes glazed over with lust. The reflection of the moon in his glasses. Paul’s arms encompassing her and the magnetizing darkness swallowing her, drawing her into the belly of the whale. It was all too much.

“He raped you! He did, didn’t he? Didn’t he!” her father roared, smoke billowing from his nostrils, the beast unleashed. “If he ever comes back here, I’ll kill him!” His rage finally boiled over as he slammed his fist into the wall. The wooden walls of the house shook and the only hanging portrait, one of Susanna’s parents on their wedding day, fell from the wall, glass shattering in the frame.

Susanna’s face was hot and words spilled out of her mouth before she could gain control. She was the feminine reflection of her father, pent-up anger spilling out as she screamed, “Well it’s not like he’s ever coming back, so you missed your only goddamn chance!” An eruption of tears exploded from her eyes, a lava trail billowing down her cheeks. She bolted for the door.

She had to hurt him. She had to make him feel the same pain he was causing her to suffer by refusing to understand. Her voice was cool, calm but menacing. “Oh, and, by the way,he didn’t rape me.” Susanna turned to glare, hand on the lever of the screen door, judging her father’s shocked expression, “I begged for it.”

His face fell; eyes wide, lips parted. Susanna saw his heart break in his eyes. His little girl. She hadn’t. She couldn’t.

“Susanna…” he started softly, but it was too late. Susanna shoved her way through the screen door, letting it slam shut. She heard the crack behind her as the door met the frame, a shotgun in the dark, but she didn’t look back. She ran down the path toward the covered bridge, down to the riverbank. Susanna wasn’t in love with Paul; she didn’t even know Paul. Throwing herself into the grass on the edge of the water, Susanna curled into a ball like the fetus growing within her womb.

Susanna was not in love with Paul, but the idea of raising a baby alone scared the shit out of her.

But this time, Lord, you gave me a mountain; a mountain you know I may never climb…

Three

I’m going to tell my boy that his daddy purposefully drove his stick-shift into the lake.

Beneath the glare of the yellow and red spotlights, beads of sweat dripped down Paul’s neck, soaking into his crochet guitar strap. “Hey, can I get more monitor for the drums?” Paul requested. It was more of a command, but musicians have to have some level of polite formality if they want to function in the business, especially in unfamiliar venues with second-rate sound engineers. He strummed a few chords as the drummer tested his kick and snare; the engineer in the balcony above fiddled with the knobs and levels on his soundboard. The voices in the crowd bled together like watercolour; seemingly endless synesthetic stormclouds.

Paul grabbed the bottle of water sitting on his amp; he twisted the lid off, his left arm and right wrist working together like an electric can opener; he raised the bottle to his lips and drank deeply. The water bubbled and rippled as Paul guzzled it down. Peering down the bridge of his nose and around the bottle, Paul surveyed the crowd.

It was a good turn out. Paul was opening for, who knows, some popular local Portland band with a decent following; lots of tall, skinny, bearded boys in pea coats and John Varvatos pointed toe boots; lots of tall, skinny, hipster girls with dyed, unkempt hair, knee-high socks and short floral patterned skirts. They all looked the same—clones; warehouse distributed manufactured copies—all artistic; all organic; all fake.

Yet, Paul fit in perfectly—he had an uncanny knack for conformity, and he knew it. “With conformity comes power…” Paul’s high school psychology teacher had instructed him, and Paul had adopted it as his mantra. What Paul failed to acknowledge was the ending of his teacher’s lesson, “...but, once empowered, it is your actions that define you as a person.” Paul was a manipulator. Conformity as power was Paul’s way of flipping a big “Fuck you” to The Man, to get what he wanted when he wanted it. There was no hard work or patience in Paul’s life. He was a chameleon, changing his colours to attract mates. Women fell for it. They fell for him. He changed his colours to save himself from heartache and the clutches of only one woman.

As he scanned the crowd of phonies and potential one night stands, Paul honed in on one girl who, despite the lack of music, swayed in the center of the dance floor, a curtain of wavy brown hair draped around her face. She wore jeans tattered at the hem and ripped at the knees and a red Elvis Presley tank top. She wasn’t wearing any shoes. Paul’s eyes lingered on her. Although Paul was not picky with his women, he favored brown haired dancers. Not
professional dancers, but natural dancers—girls who had never had dance lessons in their lives but still knew how to meld their bodies to the music.

“Talk to her after the show, talk to her after the show,” Paul thought to himself, anchoring the decision in his heart. Eyes still locked on the dancer, Paul lowered the water bottle from his lips. As he screwed the lid back on, her green eyes flickered and locked on his. Paul smiled and nodded his head at her once; she flipped her bangs out of her eyes and returned the smile. It was a familiar action, one that Paul always took as a good sign.

With a signal from the sound engineer, the show was back on. “How about a cover?” Paul said, directing his statements to the dancer in front of him. “It’s a slow one, so grab your partner.” The drummer clicked his sticks four times; Paul began to strum his acoustic slowly, singing the sorrowful words. He watched as the dancer swayed alone to his singing. Her eyes were shut and a faint smile played across her lips. By the way she rocked back and forth with her arms by her side instead of crossed over her chest, Paul could tell, she was alone, but she wasn’t lonely. She was confident and she was beautiful, and Paul could not help but think about all the beautiful dancers he had loved for a night and left behind. Paul thought of Bakersfield and San Francisco and Eureka, and Paul thought of five months ago on the covered bridge, and Paul thought of Susanna. Eyes bleared with sweet dreams of Susanna, Paul sang the tender lullaby, “Girl, if I made you feel second best, I’m sorry I was blind, but you were always on my mind…”

Four

I’m going to tell my boy his daddy built a home in the cab of his truck and drove on.

Susanna clutched the bulge beneath her black dress. Seven months along and she was a blimp. Even though she was town royalty, even though her baby would be a prince of Ford’s Creek, the wives of the millers looked on her with pity. The millers tipped their hats and said, “Morning, Miss Ford,” or “Good afternoon, Susanna,” but mostly, people avoided Susanna, a difficult task in a small town. Of course, they would make small talk, they would offer her refreshments at barn dances, but no one ever asked her for a dance or invited her over for dinner. Even her self-attempts at community involvement—rocking babes in the daycare during Sunday services and barn dance clean-up crew—proved to be futile.

“I’m still the same Susanna!” she had cried in frustration at her father as they washed the dinner dishes.

“Ours are a simple people, Susanna. Simple and old-fashioned. They’ll come to when they see him,” her father responded, his attempt to soothe his only daughter.

A wet saucer slipped out of her hands and shattered on the wood floor by her feet. Susanna began to shake and sob, and when she turned to carry herself to her bedroom in defeat, she stepped on the pile of broken glass. The shards bit the soles of Susanna’s feet, their teeth embedding themselves in her skin. As Susanna howled in pain, over her cut feet and her ostracization from her own community—her own family—she hauled herself out the front door, leaving a trail of blood on the wood floor. Susanna plopped down heavily, the wooden stairs creaking beneath her weight. Her feet throbbed; her heart ached. Her baby kicked. Susanna wrapped her arms around her belly, holding herself together, holding onto the life that was falling apart and the life that was growing inside of her.

Slouched over, mouth as close to her stomach as she could get it, Susanna cooed to her baby. She hoped that her message would travel through her skin and womb and the amniotic fluid right into her baby’s ear. She hoped her baby could hear every word she meant.

“I hope it ruins your life when you find out your daddy didn’t even know about you.”

Five

I’m going to tell my boy his daddy died a war-hero.

Susanna lay beneath a patchwork quilt, propped up against several fluffy pillows. It was just past midnight, when the coyotes cackled and the clack of their claws across the covered bridge could be heard clearly throughout Ford’s Creek. Her father dozed in the rocker in the corner of her bedroom, feet propped on a wooden stool. Cradled in the nook of her arms lay her son, a mess of black hair atop his head, blue eyes staring up at her. Susanna could not believe how big his eyes were, as big and bright as the harvest moon. For a moment, her gaze lingered on the window, the sheer, white curtain glowing as the pink moon beamed down on Susanna and her prince, reflecting through the double-paned window; reflecting off of Paul’s single-pane lenses, reflecting off his white teeth, reflecting off of the Jack Daniel’s bottle in his hand, reflecting off the surface of the rushing river and then drowning in the darkness of the covered bridge.

Shaking the images out of her head, she shifted her gaze back to her infant son’s face. He would look like Paul, Susanna knew, and he would have Paul’s essence inside of him somewhere, but she would never allow him to become his father. Elijah Paul Ford would bear his name proudly, would be valiant prince of Ford’s Creek. And, someday, if Paul were to return, were to come ambling across the covered bridge, were to knock upon Susanna’s door and ask her for a dance—well, Susanna would figure that out later. For a moment, she thought of Paul and the covered bridge, two bodies meeting and mingling and becoming one, two life sources giving birth to one glowing son. She allowed her mind to linger momentarily before drawing herself from her reverie. For now, she would focus on what was tangible, real and alive and in her arms and her son.

Elijah blinked up at her. A whiff of air blew out of Susanna’s nostrils as she sighed a laugh, a smile spreading across her face as she admired her baby boy. Elijah blinked and squinted and crinkled his nose at the onslaught, and Susanna continued to laugh.

“You are my boy,” she whispered, bringing her index finger up to stroke his round stomach. Tiny hands reached up to grasp Susanna’s finger; all five fingers wrapped around only half of Susanna’s index finger. Elijah grasped tightly. Susanna drew him closer to her chest. She could feel their body heat meeting and mingling and becoming one, two life sources giving life to one burning sun.

Take my hand; take my whole heart too, for I can’t help falling in love with you...

Friday, May 7, 2010

The Squirrel and the Chipmunk

(Earlier that day, I went to a Symposium with Reza Aslan on "How to Win a Cosmic War" and it was great. Everything he said were lessons that he taught in Islam and Politics last quarter, but it's still great. Going to readings is important for all writers, and I'm trying to go to as many as possible. Maya Angelou, Reza Aslan, David Sedaris. Next week, I'm going to reading by several UCR MFAs, including my workshop leader Holly Gaglio and my TA from last quarter Angela Thompson-Benchley. Both are women that I admire, having learned many Creative Writing lessons from them, and I am looking forward to hearing them read their works aloud.)

Last night (Thursday, 05-06-10), Chanel and I went to hear/see a reading by David Sedaris... and it was absolutely amazing!!! He read excerpts from his new book "The Squirrel and the Chipmunk". It's like a book of fables, and he told us the origin of the fables, or at least one of them. I wish I could write about his stories, but, since it's not released yet, I shouldn't and I won't.

During his in-between talks, he told us about how, on his tours, he will buy gifts for teenagers and distribute them to those who wait to meet him at his book signing. The best story was the Costco story...

David Sedaris and his brother in law went to Costco for lightbulbs and, in search of a good teenager gift, he saw a HUGE pack of condoms. Like, a truck load of condoms. Anyway, it was he and his brother, and I guess people were staring at them (he said his brother is a burly, bearded guy. I pictured a lumberjack). David Sedaris says, "We have to get something else, we have to get something else!" So, what does his brother decide to get: a five-pound box of strawberries. Now they have condoms, strawberries, and lightbulbs. More odd stares, and David Sedaris says, "We have to get something else, we have to get something else, please!" His brother-in-law waits. He contemplates what he could possibly need. "I guess I could use some olive oil..."

Anyway, the purpose of David Sedaris' huge box of condoms was for his teenager gifts on his book tour. (He has also had Greek paper clips, which look like regular paperclips except from Greece and... tissues?) I would have loved if David Sedaris had given me a condom and said something wildly and hilariously inappropriate. Hell, I wish David Sedaris had given me a paperclip. I would never use it. I would frame it. I would give it to my mom in a frame and beneath I would engrave a plaque: Greek Paperclip/Costco Condom, Courtesy of David Sedaris.

It was a great show, and I'm glad that Chanel and I were able to go together.

During question time afterward, though, between the reading and the book signing, the first guy to ask the question as completely insensitive: "How does it feel to be a homooo...ner? How does it feel to be a home owner?" David Sedaris paused and had to think about it for a second. "What? A home owner?" "Yeah, a home owner." He played off of it, but I'm pretty sure that he caught the original snide comment. I can't believe someone would ask that question.

After the reading, Chanel and I stood in line for the booksigning. It took us nearly three hours to get to the front of the line, but we made it. He asked Chanel her name, her major, and what kind of animal she wanted drawn in her book (she picked a giraffe; it's spotless, but wicked cute).

Then I asked him "Do you have any advice for a beginning writer?" and he answered me:
"My only real advice is to write everyday. Write everyday about anything. Don't have a blog. Know when it's alright to share your writing and when you need to keep it to yourself. But, just write everyday."

During his reading, he also said that you should read everything with confidence, something else I am going to take into consideration. Read with confidence. Check.

I am going to write everyday. I know I should anyway. I've been trying. Any author/writer would have given me the same advice (and they have), but hearing it directly from a world renowned and well-respected author, a man who I look up to as a writer, definitely has grounded it into me. I need to start carrying a notepad and two pens with me everywhere; two pens just in case one runs out of ink; a notepad so that it fits into my pocket easily.

He's got great laugh lines around his eyes, and a nice smile, and his voice is priceless. I would love to sit down with David Sedaris and have a conversation. Anything he says would be great. I could say that about anyone, though. I need to start writing down pieces of conversations that stand out to me, either positively or negatively.

All in all, David Sedaris was GREAT! Thank you so much for the ticket, Moma!!!

I was going to go on a monster tirade about how I lost my iPod. It'll be a small one. Pretty much, I freaked out, was assured by my friend that it was at his house, stopped worrying, but then was informed the next day that it was NOT at his house after all. It was almost time to go to David Sedaris, so I couldn't go look for it, but we went and searched around afterward in the midnight darkness. Couldn't find it. Today, I went and searched for it, retraced my steps three times, couldn't find anything, freaked out. I was really bummed and started crying. My iPod is my BABY. The same way people who text endlessly treat their cell phones-- that's the way that I treat my iPod. It's almost always with me. But now it's gone...

but. Because my momma is PHENOMINAL and EXTRAORDINARY and THE BEST MOM IN THE WHOLE WORLD, she got me a new iPod! OMIGOD! THANK YOU SOOOOO MUCH, MOMMYYYYYY!!!! You're going to have to help me name it. The old one's name was Ringo Starr, but I feel like this one is going to have an even classier name. Ringo Starr's not a classy name at all.

And, just for the record, I would say that about my parents at any time, not just when it's related to material items, and they both know it.

So, yeah, that's the story of David Sedaris and the lost iPod. :)

Wednesday, May 5, 2010

Sleeper Stool

Today, I took a nap. I'm not big on naps; I like ten-minute power naps alright, especially when I can actually knock out for those ten minutes, but anything longer than fifteen and I feel groggy and lazy. My nap today was forty minutes long, and it was a waste of time. Yeah, I was tired and, yeah, it really did help me focus on my homework afterward, but forty minutes? Really? I could have gone for twenty and been fine. It was originally planned as a fifteen minute nap, but every ten minutes I would reset my alarm clock and before I knew it, I'd been sleeping on and off for forty.

I consider myself a "stopsign partysleeper killerwhaledreaming." I'm not going to go into the etymology of the quote; I wrote it in a poem once and thought it sounded cool. I sleep two ways: curled up into a ball on my side, or splayed out on my stomach with my hands under the pillow above my head. 7% of people sleep in the "freefall" position (I call it party-sleeping), while 42% sleep in the fetal position. I found this article on yahoo news telling that sleeping positions can tell a lot about your personality. I wouldn't rely on a generalized study to tell me about my personality, but when I read it and reflected on it, it was somewhat accurate. Party-sleepers, it says, are "often gregarious and brash people, but can be nervy and thin-skinned underneath, and don't like criticism, or extreme situations." Sounds like me.

Here's the link to the BBC News article, if you're interested in seeing what your sleeping position may tell about you!

http://news.bbc.co.uk/2/hi/health/3112170.stm

There was another article posted on Yahoo news regarding a new sleep study that tested sleep habits and health. I already knew that lack of sleep was unhealthy, but this article says that "people who get less than six hours sleep per night have an increased risk [12%] of dying prematurely". I don't like that. It's just a study, there's nothing proven about it yet, and I shouldn't let it bother me, but it does. I'm usually worried about Aaron's health and sleeping habits (he's always tired, and he forces himself to stay awake when he has art to finish) and after reading this article, it makes me worry even more. Of course, if I were to say anything, he would disregard it. He'd say, "I've been doing this for years, it's fine" and if I was persistent, I have a feeling it would upset him. If I tried to refer to the study, he would say something along the lines of, "It's just a study. You're not supposed to take them 100%" and I would have to drop it. Still, it bothers me that he doesn't attempt to get more sleep. There is no such thing as catching up on sleep-- lost sleep is lost sleep. You're not supposed to wear yourself down to the point where you sleep for an entire day because your body can't keep up. Sleep needs to regulated.

Here's the link:

http://news.yahoo.com/s/afp/20100505/hl_afp/healthsciencesleepbritainitaly

Speaking of sleep, I was the Nightmare on Elm Street remake this past weekend. I'm less scared of the visuals than I am of the noise; I had my ears covered whenever I thought something scary was going to happen. I don't think I would be as scared watching a horror movie if I were at home, where I can control the volume of the television and be able to turn on lights if I felt like I needed to. Anyway, I sat next to my friend Persiah and we were huddled together the entire time, her screaming, me covering my ears, whispering, "Omigod, omigod, omigod." I recently learned that, after you die, your brain still has 7-12 minutes of brain activity, and my friend Aydin and I discussed it in terms of the afterlife-- what if Heaven is really everything going on in your brain after your heart stops. It scared the hell out of me when he pointed out the information in relation to torture. God, that would be awful, the longest six and a half minutes of my life. But, I thought it was a fair movie-- not good, but not bad. I hate when the movies that actually have me hiding behind my hands throw in those really cheesy lines; it almost ruins the whole thing. "Your mouth says no, but your body says yes"? Really, Rorschach, really? I thought you were so much cooler than that.

I searched around for the "Inspiration Photos" blog that I mentioned before, the one that Anna sent me, and I found the link here: http://laylasphotoblog.blogspot.com/

I've been working really hard on my Intro to Fiction pieces. I finally have direction for my flash fiction piece, and I'm 80% of the way done with the first draft of my short story, which I am getting workshopped on next Friday. It's not the best concept I've ever had-- in fact, I almost hate it-- but it's realistic, and my classmates seem to LOVE realistic. Not many of them seem fantastical, and the ones who are appreciated the last version of my flash fiction piece and only requested minor changes. I'm starting from scratch on that one, though. It'll be posted at the end of May or the beginning of July, depending on when I complete it.

I guess that's it for now. There's nothing really to highlight in my life-- I do pretty much the same thing every day. I still need to work up the motivation to run every day, or even every other day. I swear it's going to happen though. I have to keep beating myself up about it. I WANT to run. I just don't know what times of the day I want to run. I will do it, though, and when I run every day in one week, I will write a blog about it. It's going to be next week. I'm going to the gym EVERY DAY next week. For real. I'm doing it.

Everyone's nagging at me to finish so we can go to dinner, so here we go.

Just to keep on top of posting writing, here's a crap poem I wrote the other day.

"Tequila, No Limes"

i wake up in the morning
greasy hair dry lips
bloodshot eyes and
my mouth tastes like tequila,
no limes.

static electricity from too much backseat dancing
hair standing erect

young soldier, don't you know you're already dead
you were dead when you were conceived
dead to your mother your father your country
you were dead before you enlisted
dead to God and dead to me

but you
me
we are all alive
to our enemy

he burns for us
cries for us
in his dreams, he wraps his arms around our naked bodies
and sings hymns

"i, a child of wrath and hell,
i should be called a child of God!"